Count to !UPDATED! 20,000 before Tynan posts!

[XeoNovaDan]

6261

[dburgdorf]

62. 62.
62? 62?
62! 62!

[wafflep90]

6263

[Swat_Raptor]

6264

[NinjaDiscoJew]

6>2<6>4

[wafflep90]

6266

[NinjaDiscoJew]

6
The evolution of our modern glyph for 6 appears rather simple when compared with that for the other numerals. Our modern 6 can be traced back to the Brahmins of India, who wrote it in one stroke like a cursive lowercase e rotated 90 degrees clockwise. Gradually, the upper part of the stroke (above the central squiggle) became more curved, while the lower part of the stroke (below the central squiggle) became straighter. The Ghubar Arabs dropped the part of the stroke below the squiggle. From there, the European evolution to our modern 6 was very straightforward, aside from a flirtation with a glyph that looked more like an uppercase G.[3]
On the seven-segment displays of calculators and watches, 6 is usually written with six segments. Some historical calculator models use just five segments for the 6, by omitting the top horizontal bar. This glyph variant has not caught on; for calculators that can display results in hexadecimal, a 6 that looks like a 'b' is not practical.
Just as in most modern typefaces, in typefaces with text figures the 6 character usually has an ascender, as, for example, in Text figures 036.svg.
This numeral resembles an inverted 9. To disambiguate the two on objects and documents that can be inverted, the 6 has often been underlined, both in handwriting and on printed labels.
2
The glyph used in the modern Western world to represent the number 2 traces its roots back to the Brahmin Indians, who wrote "2" as two horizontal lines. The modern Chinese and Japanese languages still use this method. The Gupta rotated the two lines 45 degrees, making them diagonal, and sometimes also made the top line shorter and made its bottom end curve towards the center of the bottom line. Apparently for speed, the Nagari started making the top line more like a curve and connecting to the bottom line. The Ghubar Arabs made the bottom line completely vertical, and now the glyph looks like a dotless closing question mark. Restoring the bottom line to its original horizontal position, but keeping the top line as a curve that connects to the bottom line leads to our modern glyph.[3]
In fonts with text figures, 2 usually is of x-height, for example, Text figures 256.svg

6- See above

7
In the beginning, various Hindus wrote 7 more or less in one stroke as a curve that looks like an uppercase J vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the character more rectilinear. The eastern Arabs developed the character from a 6-look-alike into an uppercase V-look-alike. Both modern Arab forms influenced the European form, a two-stroke character consisting of a horizontal upper line joined at its right to a line going down to the bottom left corner, a line that is slightly curved in some font variants. As is the case with the European glyph, the Cham and Khmer glyph for 7 also evolved to look like their glyph for 1, though in a different way, so they were also concerned with making their 7 more different. For the Khmer this often involved adding a horizontal line above the glyph.[1] This is analogous to the horizontal stroke through the middle that is sometimes used in handwriting in the Western world but which is almost never used in computer fonts. This horizontal stroke is, however, important to distinguish the glyph for seven from the glyph for one in writings that use a long upstroke in the glyph for 1. In some Greek dialects of early 12th century the longer line diagonal was drawn in a rather semicircular transverse line.
Sevens.svgDigital77.svg
On the seven-segment displays of pocket calculators and digital watches, 7 is the number with the most common glyph variation (1, 6 and 9 also have variant glyphs). Most calculators use three line segments, but on Sharp, Casio, and a few other brands of calculators, 7 is written with four line segments because, in Japan, Korea and Taiwan 7 is written as ① in the illustration to the right.
While the shape of the 7 character has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in TextFigs078.svg.
Hand Written 7.svg
Most people in Continental Europe[2] and increasingly in the UK and Ireland as well as Latin America write 7 with a line in the middle ("7"), sometimes with the top line crooked. The line through the middle is useful to clearly differentiate the character from the number one, as these can appear similar when written in certain styles of handwriting. This glyph is used in official handwriting rules for primary school in Russia, Ukraine, Bulgaria, Poland, other Slavic countries,[3] as well as in France, Belgium, Finland,[4] Romania, Germany and Hungary.[5][not in citation given]

[wafflep90]

6268 - that's a lot of information

[dburgdorf]

And now, to counter that information, here's some DISinformation:

6269 is a spy, sent to infiltrate our ranks to find weaknesses that the Dark Numbers Empire can exploit to divide us. But if we multiply our efforts, our additional strength will subtract their advantage, and in summary, we will be victorious!

[wafflep90]

6270

[ArguedPiano]

Six thousand two hundred seventy one

[XeoNovaDan]

6272

[NinjaDiscoJew]

6273

[iame6162013]

6274

[Listen1]

6275